Auburn Great posts so far! I'm curious, though, can't Ne dominants be tricksters/jesters/jokers too? And is it likely for Ne to bring out a mischievous and rebellious side in people -- or is that more an Se thing? Another thing I'm wondering is regarding Ne optimism and if Ne-dom's who are (heavily) depressed have difficulty relating to it?
Auburn Great posts so far! I'm curious, though, can't Ne dominants be tricksters/jesters/jokers too? And is it likely for Ne to bring out a mischievous and rebellious side in people -- or is that more an Se thing? Another thing I'm wondering is regarding Ne optimism and if Ne-dom's who are (heavily) depressed have difficulty relating to it?
This^
A group of my friends and I have our own sort of mythology which includes a figure called the Tricky Imp which I resonate with and was, in large part, born out of my mischief.
I've often done things simply for the sake of confusing people. Like i started making the register at my old job display 666 when it wasn't being used because i found out one of my coworkers was annoyed by my supposed "satanic imagery." Or how I'd play the same song whenever the boss called the store so that he'd think it was all we listened to.
I call it low-stakes psychological warfare.
Which actually may be the difference? Ne-tricksterism would still be more childish/lighthearted, in general, maybe? Dunno.
Great posts so far! I'm curious, though, can't Ne dominants be tricksters/jesters/jokers too?
Yes, they have overlap with each other. Ne and Se are branches of Pe, so most of their traits have a parallel version in one another.
I've definitely known Ne jokesters, but they're of a different sort. It's as if their jokes are more pun-ish, witty/corny and relatively benign. And although smaller in range, they can have a much higher frequency rate than Se jokes. I had an Ne-heavy Ne-lead friend for years who could be very overwhelming. He'd focus a lot on things like wordplay, and messes around with (mental) puzzles and confusing people sometimes with unexpected interpretations or tangential correlations.
Se constellates the trickster archetype far more completely because of it's immediate immersion into the physical space, and so its jokes are often directly connected to the physical space. And if they're verbal, they still relate to the physical in some way. This makes them more edgy, daring and of a much more acute impact usually.
edit: yea! cheesumpuffs essentially captured it there.
Last Edit: Sept 20, 2017 23:45:05 GMT -5 by Auburn
It's as if their jokes are more . . . relatively benign. And . . . smaller in range . . . focus a lot on things like wordplay, and messes around with (mental) puzzles and confusing people sometimes with unexpected interpretations or tangential correlations.
yeah, these would be the points of emphasis. I really enjoy messing with people, but only so long as it all remains in good fun. I like to approach humor (including the trickster kind) from the angle that I and my audience are on the same team, in that we both could use a bit of a laugh at something dumb/absurd (because who couldn't use one?). So I create little scenarios (usually little is better. Big has a tendency to blow up (although really rewarding if it pays off)) which throw either myself or my "audience" into an absurd situation ("every time I call the store he's listening to the same song in the background, how weird!") or sometimes just point out the absurdity of a situation that's already there but needs a new way of being phrased/contextualized for added hilarity.
Ultimately it's not the joke itself that makes these moments funny to me but the experience of witnessing one part of the universe look at another part of the universe and go "wait, is that right?" That's priceless. That little moment where everyone (hopefully (at least my intent is to be able to share this experience/perspective with everyone)) realizes "this is all just a big silly game isn't it?"
Hence the title Low-Stakes Psychological Warfare. I want people to look at the world and feel like it's driving them mad. Because the world should be driving them mad. The world is mad. It drives me mad. BUT I don't want to hurt or really, truly bother anyone. So the madness remains subtle and joyful, as it should be. It's not a malignant madness I want anyone to feel. It's a sort of madness that frees people. Frees them from being serious and stuffy. Helps create a perspective that maybe not everything is doom and gloom in the world. Not everything falls to black and white. That there are a multitude of bizarrely, beautifully, absurdly, hideously gray areas that make no sense and shouldn't make sense and never will and they're not supposed to and all we can really do is accept, appreciate, and cherish those things for exactly what they are and nothing more and nothing less and let the divine laughter overtake us. That kind of laughter that comes from a source within that you can't control. The kind that makes your body move and your face light up. The freedom you feel in that moment of truly joyous laughter. Honestly I could see myself becoming the kind of person who gets off on being able to make people feel like that.
Like I totally see how someone of a similar psychology to me would love to become an entertainer/educator/performer of some sort.
Man, it's actually kind of a bummer to see how Larry and Eric have kind of shut down on each other by the end. I think they could have a pretty cool discourse. Like, I really relate to him at 18:45 when he finally goes "what do you want from me man?" (also, bonus goof there in responding "what is catch a tiger by the tail" to "what is a high horse")
But yeah, I do really like Eric Andre's style/show. Every now and then when he starts improvising I think he has a tendency to draw from the same well (Justin Roiland does a similar thing) and after awhile his "wackiness" does begin to feel a tad predictable and derivative. But on the whole yeah, I really love his style
The bits that stood out to me as what I would do are: 14:18-14:27 - "it's like you're filling out a medical form" A bit snippier and more seemingly aggressive than I would've played it (Te/Fi likely playing a part), but the comparison/game of it is the same. It's a moment he takes to pretend that Larry's some medical bureaucrat in a way to humorously examine the kind of unfeeling disconnect he thinks Larry's sticking to the cards is creating. (I think that's a big part of Ne. I see Ne as something that a lot of the time is seeking to find a convenient metaphor for any given situation with which it can use to gain perspective/insight/understanding, and I think those "Ne parodies" that happen are essentially the Ne user trying to recreate that metaphor physically as best as possible in order to bring that perspective to others who may not have quite made the connection in the same way.) 15:05 - "i knew gene autry personally, he was my godfather" Oh man, my dad gets mad at me for doing this kind of thing all the time. The immediate reaction to say something outlandish and obviously untrue, but still mundane enough that the listener goes "is that true?" is kind of the same moment as the one I described where a part of the universe (larry) has to take a moment to seriously reconsider another aspect of the universe that he'd either never considered before, or hadn't considered from that particular angle/with that particular context. My dad puts up a big stink when I do that because "it's lying" and "lying is rude" and "you're rude, derek" but it's only a lie and rude if i make you make decisions based off of the falsehood. If we spend a few seconds with you thinking gene autry is my godfather no one's actually affected by it. It's a game. A small play we're acting out, if only for a moment. We're going to pretend that *this* is the way the world is! 15:28 "who did 311? "i dont know what youre talking about, man" For anyone who hasn't seen his show, 311 is a joke from there ("Reinvestigate 311" as a play on 9/11), so if *anyone* is going to know what that means, it's Eric. Eric can tell at this point though that Larry hasn't seen the show. Larry knows the highlights, from his research, but he won't know this joke. Eric also knows that Larry's sick of his shit and Eric, at this point, is clearly making very little effort to maintain a non-obfuscated conversation. What an opportunity! He can make Larry feel like his time is being wasted *even more* and also entertain himself by pretending he doesn't get his own joke.
And then towards the end he says this stuff: "I've always wanted to kill myself on stage. . . wouldn't it be cool to see someone's head explode? like not in a depressing way, in an exciting way." "bed of nails would be like the god damn cirque du soleil" I've definitely said stuff like this and it, again, shows that mindset I mentioned in my earlier post where it takes something considered "bad" and presents it absurdly in such a way that it attempts to bring joy and excitement into the world. It's a (conceptual) effort to make someone value life through the absurdity of death.
I love the way he and Hannibal play off each other, too:
Do you have any examples of people (other than the ones in the database), specifically Se-doms, who are Se jesters?
SeFi Bam Margera.... and the entire Jackass series is one huge Se Trickster enactment
Hmm... i think i see where my disconnect with the word trickster as a descriptor for Se comes in. Physical humor (of the jackass variety) i don't see as being "trickster" material.
Very first clip^ is a dude whacking a tennis ball into another dude's crotch. Who's being tricked here? Who's having the wool of the universe pulled over their eyes? No one. It feels wanton and craftless to me, personally (this gag and ones like it. Not trying to make any claims about Jackass as a show or Se as a function).
I know jackass has gags where it's self inflicted pain with the victims causing it to themselves due to being misled in some way. *That* is being tricky. But the contextless action upon another persons' body simply because it disrupts them i don't believe is "tricking" and i (personally, obviously) don't believe is funny.
It feels (to me, again, obviously) like it's a grab for attention. "I will *make* you notice me and the fact that I effect you." I don't like that, I don't want that. I don't want people to notice I exist, i want them to notice that *they (we) don't*.
I'm not a fan of the kind of person that goes around life metaphorically punching people in the balls just so others will notice they exist.
EDIT: The way I've phrased this really may seem harsh and I really don't want to give an impression that I'm levelling judgement upon any group or person or concept. I'm simply trying to openly and clearly dissect my opinions on certain topics in a way that (hopefully) provides y'all readers with a more multifaceted perspective of them.
Hmm... i think i see where my disconnect with the word trickster as a descriptor for Se comes in. Physical humor (of the jackass variety) i don't see as being "trickster" material.
Very first clip^ is a dude whacking a tennis ball into another dude's crotch. Who's being tricked here? Who's having the wool of the universe pulled over their eyes? No one. It feels wanton and craftless to me, personally (this gag and ones like it. Not trying to make any claims about Jackass as a show or Se as a function).
I know jackass has gags where it's self inflicted pain with the victims causing it to themselves due to being misled in some way. *That* is being tricky. But the contextless action upon another persons' body simply because it disrupts them i don't believe is "tricking" and i (personally, obviously) don't believe is funny.
When I think of "trickster" my first association is characters from folklore and mythology: Jackrabbit, Raven, Coyote (which of course Wile E. Coyote was based on), Br'er Rabbit, Dionysus, Loki, etc. It seems like a lot of these sort of figures are involved in gags that are quite physical, unsophisticated, destructive and at times mean spirited--i.e. they are actually rather like Jackass in some ways. Mythological tricksters are described as almost universally solitary, socially marginal and as blurring the boundary between good and evil, life and death, human and animal. The point of the tricks is partly for humor...but their physical and taboo-breaking nature is partly because these tricksters commonly play roles like creator, destroyer and culture-hero. In other words, they're commonly the catalysts in stories about how the world came to be the way it is.
It seems like the activities of trickster figures often embody the chaotic and unpredictable nature of external events in the world--chaotic and unpredictable especially when compared against human (J-based) attempts to impose order or stability. So it makes sense to me that it would be associated with Se, as Se absorbs external events in a direct, sensory way. Similarly, I feel like the tricksters' human-animal ambiguity might reflect the side of human nature that does not conform J-based systems of order and rationality. If I remember right, I think Jung associated the trickster with an earlier state of humanity in which none of the functions were consciously differentiated.
I don't find Jackass particularly funny, but I think I can maybe relate to where the humor is coming from. For instance, I often make jokes about dark or traumatic events happening, I think as a way of acknowledging that they might happen, and trying to come to terms with the possibility. I wonder if those aspects of trickster humor (and maybe slapstick in general) plays sort of a similar role: present traumatic or chaotic events in an absurd, decontextualized way so that they are more palatable.
Interesting that you bring up Wile E. Coyote as an example of a trickster.
When I used to watch the show I very much always considered Roadrunner the trickster. The effortless and mischievous outsmarting that ended with the joke ultimately being on Wile. *That's* trickery, at least as I define it (which may be all we have here. Maybe i just have a more specific personal definition of trickery and we're all on all of the same collective pages but using different words).
Mythological tricksters are described as almost universally solitary, socially marginal and as blurring the boundary between good and evil, life and death, human and animal. The point of the tricks is partly for humor...but their physical and taboo-breaking nature is partly because these tricksters commonly play roles like creator, destroyer and culture-hero. In other words, they're commonly the catalysts in stories about how the world came to be the way it is.
It seems like the activities of trickster figures often embody the chaotic and unpredictable nature of external events in the world--chaotic and unpredictable especially when compared against human (J-based) attempts to impose order or stability. So it makes sense to me that it would be associated with Se, as Se absorbs external events in a direct, sensory way. Similarly, I feel like the tricksters' human-animal ambiguity might reflect the side of human nature that does not conform J-based systems of order and rationality. If I remember right, I think Jung associated the trickster with an earlier state of humanity in which none of the functions were consciously differentiated.
That underlined bit reminded me of this lecture by Alan Watts. It's a bit long so I don't blame you for not listening if you don't feel like it, but it starts out with a discussion of and continually explores the archetype of the "Joker" or the court fool or whatnot and it touches on a lot of similar stuff.
The bold bit I actually see as being perfectly consistent with my (and I don't want to speak for all Ne-dom so don't take me as doing so) conception of being a trickster. I think though my personal tastes not only enjoy the embodiment of "the chaotic and unpredictable nature of external events in the world" but to see those elements of chaos and unpredictability enacted symbolically (Ne?) through human interaction (Fe?). So for me it's the element of one human using chaos and unpredictability to turn the world of another human on its head.
Maybe that's a good way to look at it hrafn. I like that.
Maybe I'm just stuck looking at my own Ne+Fe form of mischief that other forms seem off the mark to me.
So for me it's the element of one human using chaos and unpredictability to turn the world of another human on its head.
I've always related at least a little bit to this idea of trickster as well, despite having a pretty serious/slow disposition in some ways. A big part of my sense of humor involves relating made-up stories or facts in a deadpan voice and seeing if I can get people I know to believe them. Or sometimes getting people to do absurd things. Like I once talked a girl I was dating into ordering a brandy with mustard (but then I ruined it because I couldn't contain my laughter). Fortunately she thought it was hilarious. However, I've definitely noticed that some people enjoy having these sorts of jokes played on them more than others. I myself usually quite enjoy having gags of this sort played on me. When I worked at a slate quarry ten or twelve years ago, one of my coworkers once sent me running around frantically to find a "rock stretcher."
By the way, I feel like having moments of gullibility and falling victim to jokes, schemes, etc., is also a common attribute of tricksters. This is why I can see the Wile E. Coyote-trickster thing, although roadrunner seems tricksterish to me, too.
That underlined bit reminded me of this lecture by Alan Watts. It's a bit long so I don't blame you for not listening if you don't feel like it, but it starts out with a discussion of and continually explores the archetype of the "Joker" or the court fool or whatnot and it touches on a lot of similar stuff.
Hrafn Yes to so much here.. the Jokester/Trickster/Fool likes to turn convention on its head. To tip order upside-down, for comedic effect.
I hadn't thought about it but Wile-E Coyote/Roadrunner is basically an endless game between two (Pe) tricksters.
Another very clear trickster is Bugs Bunny:
These are general Fool archetype I think (not specific to Se or Ne).
And as expect they're also Child-like, as cartoons are a primarily youthful category of entertainment. But sometimes we don't stop to think *why*. Observing humanity in an anthropological sense, why are cartoons a child-category of entertainment? It's not self-evident that they would be. And then there are people far into adulthood who still watch them (like me o.o) and it's because of that Child archetype still being quite radiant and active... due to native type.
The truth is the child/trickster is a spirit of humanity in all people, to different degrees. But Pe is highly active in children because there is no precedent (Pi) yet formed. It's like an empty terabyte drive. So even the Pi-lead children are somewhat Pe for their first years, until they get some traction.
But one of the main things children do is *poke* reality to see if it POPS. Test limits. Test adults. Test parameters and sometimes get in trouble. ("What happens if I do this..?") The world's a big place and it's ripe for exploration. The same refresh-factor that Pe offers to all of us, even adults, is hyper-active in children because everything is fresh. That is why archetypally Pe corresponds to the Child and Pi is the Senex ("Old Man")
P = Information Pe = No Information (must explore) Pi = Has Information (must heed)
Hence the title Low-Stakes Psychological Warfare. I want people to look at the world and feel like it's driving them mad. Because the world should be driving them mad. The world is mad. It drives me mad. BUT I don't want to hurt or really, truly bother anyone. So the madness remains subtle and joyful, as it should be. It's not a malignant madness I want anyone to feel. It's a sort of madness that frees people. Frees them from being serious and stuffy. Helps create a perspective that maybe not everything is doom and gloom in the world. Not everything falls to black and white. That there are a multitude of bizarrely, beautifully, absurdly, hideously gray areas that make no sense and shouldn't make sense and never will and they're not supposed to and all we can really do is accept, appreciate, and cherish those things for exactly what they are and nothing more and nothing less and let the divine laughter overtake us.
^^ This. Except I can be serious and stuffy. I feel like I bully Se into being more serious but also want to free overly serious people. I definitely appreciate the trickster archetype, though I'm a bit more of a devil's advocate myself. Dave Chappell is a good trickster, as he's trying to teach a lesson with his comedy. SeTi/TiSe does that a lot with social roles, and I think Fi tpes do that with ethical positions.
Essentially: "Why do you believe what you believe? Why do you do what you do?" If you have a good basis for it, fine. If not, live and let live.
Andy Kaufman (SiTe-Ne?? SiFe-Ne??) seems like he might be an example of an Ne trickster--some of his tricks were rather edgy and controversial, but his way of continually messing with perceptions of what was real sort of reminds me of what cheeseumpuffs wrote:
I've often done things simply for the sake of confusing people. Like i started making the register at my old job display 666 when it wasn't being used because i found out one of my coworkers was annoyed by my supposed "satanic imagery." Or how I'd play the same song whenever the boss called the store so that he'd think it was all we listened to.
Ultimately it's not the joke itself that makes these moments funny to me but the experience of witnessing one part of the universe look at another part of the universe and go "wait, is that right?" That's priceless. That little moment where everyone (hopefully (at least my intent is to be able to share this experience/perspective with everyone)) realizes "this is all just a big silly game isn't it?"
My impression is that everybody expected Kaufman to trick them but he was always devising ever more intricate deceptions to try to stay one step ahead of peoples' expectations. He also had an eternal child sort of quality.
By the way, Sacha Baron Cohen (SeTi???) strikes me as an example of an Se trickster. His trickery was, I suppose, more of a single, elaborate vision of a few characters who were absurd, yet intricately designed and presented. Unlike with Kaufman, his trickery depended on the victims' being unsuspecting. Personally I find some of his antics, um, rather tasteless and offensive, but the way he provokes some of his interviewees and/or gets them to say problematic things is pretty hilarious at times.